On The Bench - Channeling Rothko in Pastel

Sometimes art materials just SPEAK to me... come hither and pick me up, create something, do it now! Thus was the case with my dry pastel sticks yesterday. It was time to reorganize my colors after a large clearance purchase SCORE of pastel sticks, and since I was touching them anyway... Here's how far I went:

 Channeling Rothko 1, 11in x 14in pastel on paper 

with Pebeo high density modeling paste.

Began a second pastel painting from a photograph I took in France

using water soluble dry pastels from Charvin on Art Spectrum

Colourfix pastel and mixed media paper.

After emptying one of my pastel bins during the reorganization, I found loads of powdered pigment left over in the bottom of the container. 

I was horrified at the thought of cleaning out the beautiful colored powders into the trash, so I grabbed one of my art journals and a makeup sponge and went to town creating soft pastel backgrounds with the left overs. No pigment left behind!

For a quick fix to your burning desire to create, I recommend trying dry pastels!

Happy Arting!  :)  Tristina

 

Overcome the Fear - Rock the Underpainting

When I started out painting and art journaling, my greatest fear was addressing the dreaded "blank" page or canvas! How do I start??? Now that I've been painting for years, I've learned to be BOLD and just throw whatever color interests me at the moment down on the canvas or paper surface to give a running start to the creative process... This exercise is especially helpful when I have a few minutes to spare and want to do something creative, but don't want to get into a whole painting. It's also a great thing to do with left over paint! Here are some underpaintings in my studio right now:

The underpaintings above are oil paint on canvas (from a canvas pad), collage 

and NeoColor II water soluble oil pastel on canvas, and collage

 on acrylic wash (from left-over paint) on watercolor paper.

Since I'm an abstract painter, my underpaintings are just about getting color down, collage and mark making like the one below. Generally, I use the colors of an underpainting as a guide for the colors I paint or glaze over top, however, traditional underpaintings typically use one color; grey, sienna, red iron oxide, sepia, yellow ocher, and others.

NeoColor II water soluble oil pastel on watercolor paper. 

Salt was added while the pastel was wet to give the spotted effect.

There are some great resources available for free online about techniques for underpainting, such as this blog post from Jerry's Artarama HERE and a YouTube video from The World of Art HERE. A few of my favorite examples of underpainting in books are the write up about artist Juan de la Cruz Machicado in Painter's Wild Workshop by Lynn Leon Loscutoff and the "From Drawing to Painting" chapter of Bill Creevy's The Oil Painting Book. Don't worry that the references speak about oil painting, the same techniques can be used for acrylic painting and other mediums, too.

I encourage you to pick up a brush with left over paint or water soluble oil pastel crayons the next time you have a few minutes to spare and give underpainting a try! Use it to add layers and interest to your artwork. Please share your experiences trying this technique in the comments below.

Happy Arting!  Tristina :D