On The Bench - Textured Panels

I am a TEXTURE girl! There, I've said it... Artwork that has nooks and crannies turns me on. No surprise, then, that I LOVE Bill Creevy's paintings. There is an airiness and mood about them that is fatally attractive...

The great news is, Bill has 2 books full of his artwork and techniques for getting that yummy texture in his The Pastel Book and The Oil Painting Book, both published in the 1990's and still readily available.

The trick he shares in The Pastel Book about how he creates his layered and textured panels for painting with pastels and oils is invaluable if you want to create similar airy artwork.

Here's a picture of my first crack at creating panels for my own paintings...

I have found that besides the type of acrylic modeling paste Bill recommends in his book, I have had success with Golden's Coarse Molding Paste and Pebeo's High Density Modeling Paste as well. If you love textured surfaces and artwork like I do, give Bill Creevy's panel making trick a try!

Happy Arting!  :D  Tristina

Love for Encaustic Wax Painting on Paper

Enjoyed another wildly successful workshop in Miami all day Saturday, Dec 14, at Romero Hidalgo Artist's Studio in the Red Road Arts District! The students had a blast learning techniques for working with hot encaustic wax paints making monotype prints and modifying the prints with oil pastel sticks, making encaustic-bound paper collages, and encaustic wax painting directly on paper with metal leaf enhancement. A huge THANK YOU to Sonia Hidalgo for inviting me to Miami to teach this workshop. She runs a classy operation and has awesome students!

Working with encaustic wax paint on hot palettes to create images to pull for Monotype prints.

Enhancing a monotype print on the hot palette with oil pastel sticks.

Studio owner Sonia Hidalgo visiting our workshop during a break in her teaching schedule.

Working on encaustic wax monotype print series' directly on the hot palette.

Finishing up a monotype print series and cleaning the other palette for encaustic collage.

Putting a last coat of paint on the final project of the day.

Enhancing encaustic painting on paper with metal leaf, then distressing with steel wool.

A selection of Cecilia's finished works. Love the satisfied smiles!

Encaustic wax Monotype print on Sumi-e rice paper.

Encaustic wax painting on handmade paper with distressed metal leaf. 

Claudia's collection of monotype prints, paper collage and painted paper all with encaustic wax paint.

Camellia's collection of monotype prints, paper collage and painted paper with encaustic wax paint.

Angie's collection of monotype prints, paper collage and painted paper with encaustic wax paint.

If you are planning on being in the South Florida area, feel free to check out the online event schedule on my website at www.MultiMediaMavenArt.com. Find the Events, Workshops & Demos tab on the left side of the screen and select it to view my calender. If you are interested in a workshop or event not listed in the calendar, email me at MultiMediaMaven@yahoo.com so we can accommodate your needs.

Happy Arting!  Tristina

Create from the heART

As I mentioned in my last post, I have been maniacally inspired lately to create my most fun pieces to-date by Mary Beth Shaw's latest book, "Flavor for Mixed Media". Here is one of the paintings on paper created over the past few days incorporating white Gesso, liquid Matte Medium, Rowney and Faber-Castell Dry Pastels, Pan Pastels, DecoColor acrylic paint pens, Sakura Gelly Roll pens, Speedball Calligraphy inks, Koh-I-Noor Trans-Mix acrylic inks, Sakura Micron and Graphic #1 pens, Sennelier Oil Pastels, and ephemera (re-purposed paper) - truly a "mixed-media" piece:

The unusual shape of the paper you see above is from some fabulous watercolor blocks that I found at Pearl's; I am so excited by the long, skinniness of it! The paper is called Fluid Watercolor Paper and comes in the interesting sizes of 4x8, 6x12, 6x18, 8x20 and 8x24, as well as others. What I really appreciate about the blocks is that they are only glued on the long sides, so the advantage of not having to size the paper (wet the paper and allow it to dry) before painting is great and yet they are super easy to separate from the block when you are done by shoving a palate knife in one of the short ends and running along the long side.

I went in Pearl's again this past weekend and inquired how best to do-it-yourself frame these paper works of art (I usually paint on Artist Panels or Gallery Wrap canvases, so those are easy to wire up for hanging). I collected the materials needed and will show you what I do to mount these latest paper works when I figure it out! There are several Art Competitions coming up in the next few months that I am choosing to submit these paintings to, so making this happen is now a priority. :)

Here are a couple pictures of the process I have been in lately:

I'm working on about the 6th / 7th painting in this series and found today I was getting a little "stuck" in my design elements rather than having the ideas flow. Do you ever find yourself staring at a begun painting and wonder what to do next? I like to take a break when this happens and flip through art books for shape/color/concept ideas to move me along. Today I was reading from the art book, "Mixed Mania -  Recipes for delicious mixed-media creations" by Debbi Crane and Cheryl Prater, and found a spot-on quote  from famous artist Marc Chagall, "If I create from the heart, nearly everything works; if from the head, almost nothing." When I find myself thinking too much about a painting, I have to take a break, grab a snack or cup of coffee, refer to the thousands of photographs I have taken that are safely archived on my computer ready at my whim, read an art book with lots of pictures (we are working in a visual medium after all!) and come back to the work with a clear & fresh enthusiasm to be fearless in trying ANYTHING! When I hesitate to act, I remind myself that what I am doing is not so precious and I can always work OVER it or tear up the result and use pieces in other works if I'm not happy with the results...

Here's a glimpse of my work table as I was finishing up the above painting... messy, huh?

I love it when my working on art-making inspires my daughters to break out a journal or canvas and do their own work (one advantage to working on the kitchen table)! I buy hard canvas boards and artist panels when they are on sale at Michael's and Utrecht so they are always on-hand to grab when the inspiration strikes. In my home, none of my supplies are off limits; I want the girls to experiment and discover the joy of working with student and professional grade products and tools so they can see and appreciate the differences, giving them the knowing as they walk into the future of exactly what to use to get their desired creative outcome. Here is what they have done in the past week:

Devon (age 13) Oil Pastel

Samantha (age 16) Acrylic

I hope this article inspires you to pick up an art book, peruse the pictures, experiment with new materials and jump-start your next creative project. Please link to the art you create in the comments below so that we (myself and other followers in the art community) see your unique expression. Remember to share your art; I guarantee it will inspire others to joy in many ways!

Happy art-making!!! :D  Tristina