I was in Los Angeles last week and was surprised & delighted to see an interesting way to display artwork... a large painted canvas was grometted and fixed to the outside wall of a building on Sunset Blvd. Beguiling!
In addition to my reading several artful books and magazines lately, I have become enthralled with watching videos on YouTube. There is such a wealth of sharing going on in the cyber-world...for FREE! I began my online quest to look up examples of artists using one of my favorite art supplies, PanPastels, in mixed media. WOW, it was a revelation stumbling across france-pappillon.com and Donna Downey's YouTube videos. Thank you so much to these artists for allowing me and our readers to be INSPIRED by watching the art unfold right before our eyes. If you are a visual learner, there is a bounty waiting to be had online; and in easy to digest bite-sized chunks of time from one minute to a half hour and more - enough to whet or satiate everyone's appetite!
It was fun today to play Donna Downey's "Listen to your inner voice" canvas painting YouTube video with lovely background music (it ran for almost a half hour) while I created the below mixed media painting (it's not done yet, but well on it's way):
At the end of the most recent Nov/Dec Cloth Paper Scissors magazine there is a lovely article by Soraya Nulliah about finding ourselves as artistic creators. It says in part, "Every small step leads to another place where the whole world opens up and is full of exciting discoveries and possibilities. Reading an inspiring book, signing up for a class, making time and space for everyday creativity - all of these activities will support your artful journey." So much wisdom is available for us out there if we just take those first steps, then keep stepping ahead on our artistic journey...
Happy Creating! Tristina
Showing posts with label Pan Pastel. Show all posts
Showing posts with label Pan Pastel. Show all posts
Monday, November 5, 2012
Monday, September 17, 2012
The Exhilaration of Competition!
Ahh, the smell of fresh green grass and the shade of old oak trees, sharing time with my daughter on a beautiful sunny day along the waterfront... Enjoyed this real life experience Saturday in the Riverfront park Broward Art Guild sponsored Quick Draw timed painting competition. My fellow artists and I had 2 hours to make our creations in the idyllic setting while passer's by stopped to ask questions, photograph & wonder at the art making happening right before their eyes!
Working with Charcoal and Pan Pastels to make a quick underpainting.
My daughter, Devon, in the background working on her clock drawing.
This was my first timed competition. Over the several days leading up to the event, my emotions and calendar kept waffling; did I really want to stretch myself to make a full mixed-media painting in just 2 hours? Could I get done in that short time? What subject would I paint that could be portrayed quickly and tie in with the environment? The event was taking place outdoors; was it going to rain on us - it always seems to rain around 3pm in steamy Florida and the competition straddled this time?! What would I do with my two daughters, age 13 and 16; would they come or stay home - could I trust them alone? But...my car really needs a good wash / wax and the only time the guy's available is Saturday afternoon...and on and on.
13 year old Devon drawing the clock. Photo by Sun Sentinel's Mike Stocker.
Don't you find that sometimes it just takes making the decision to bite the bullet and make it work? I finally decided to just do it! To put my fears (pesky internal dialogue (I know you have some too!)) aside and commit to having fun no matter what. I made the decision to participate in the Quick Draw early Friday evening and spent time after the kids went to bed gathering supplies: Gloves (check), Gesso (check), Liquid Matte Medium (check), Regular Gel Medium (check), Brushes, Watercolor Paper, Water and Alcohol Spray Bottles, Texture Tools, Apron, Painter's Tape, Paper Pallet, Old Dictionary, Fabric, Oranges Mesh Bag, Bubble Wrap, Scissors, Cotton Balls, Water Containers with Lids, Water Jug, Drop Cloth, Paper Towels, Trash Bag, Easel, Chairs, Table, etc.. Then for mixed media: Pan Pastels, Pastel Sponges, Acrylic Paint, Oil Pastels, Charcoal and other Pencils, Inktense Watercolor Pencils, NeoColor II Water Soluble Crayons, DecoColor Acrylic Pens and Ranger Alcohol Inks. Whew! That was a mouthful. I then selected a gallery wrap canvas and slathered it with Golden white Absorbent Ground so the surface would take pastel well, leaving it to dry overnight. By then it was late in the wee hours of the night, but I went to sleep satisfied that I would be prepared the next afternoon.
Devon and me under the beautiful shady trees on the river. Photo by Sun Sentinel's Mike Stocker.
I was thrilled that Devon chose to come with! We checked in, loaded up our supplies on a hand-truck and wandered back and forth along the riverfront searching for the "perfect subject". Settling on the clock tower, we found a beautiful area under big shady trees to set up. We had a half hour before the start of the timed competition to arrange ourselves. After I had my drop cloth down and canvas set up on the easel, you wouldn't believe it, but some parrots up in the tree above us let'r rip onto my canvas...bird poop streamed down. Thankfully I jumped out of the way, so it only got on the canvas and drop cloth. I took this as an excellent sign of good luck! Grabbed a paper towel, wiped the poop off best I could, and got my pan pastels ready for the starting horn. My adrenaline really started flowing when the piercing air-horn blasted.
Laying the underpainting with Pan Pastels. Photo by Sun Sentinel's Mike Stocker.
I had decided the night before that I would look for an architectural feature and make a somewhat abstract, loosey goosey rendering using Pan Pastels for an underpainting because they are so color rich and easy to apply in big strokes with a sponge (I was trying out the Pan Pastel brand sponges, but you can use cosmetic wedge sponges just as well). Lots of people stopped by fascinated by the Pan Pastels! I explained that they are my favorite because they are pigment rich for bold colors and barely make any dust; they don't have any dusting off the surface of the canvas, so I didn't have to wear a face mask! The underpainting took about 40 minutes.
Then I went into mixed-media high gear... I grabbed a page out of the old dictionary with words around the definition of "circular" and cut circles that were glued to the clock face with regular gel medium. Then I added some of my hand colored tissue and fabric to the painting in the same manner. Next, I sprayed the painting in areas with rubbing alcohol and squirted the alcohol inks on to create fast-drying runny highlights; I turned the canvas upside down also while doing this to get the ethereal feel of dripping up in places. Moving on to acrylic paint, I used a champagne cork I found in the grass while setting up to stamp different color "bubbles" on the painting, then used my favorite copper and brass colored paints to paint in the clock. A charcoal pencil came in handy at that point to re-define the lines of the clock, so that I could come back in with payne's grey paint on a small brush to loosely paint in the lines. Devon was finished with her drawing / painting at this point and named it "Alternate Universe".
Devon's "Alternate Universe"
My parents had joined Devon and me during the flurry. Dad, looking with fresh eyes, suggested that my painting needed a tree! Wow, I had about 20 minutes left, so I went for the soft, creamy Sennelier oil pastels to quickly throw in some suggestion of greenery near the clock, then a little hint of Pan Pastel color over areas of the "tree" to knock down the shine worked perfectly to give my clock a counterpoint. When the last 4 minutes of the competition were called, I whipped out my titan buff off-white paint and added a few last highlights to the clock. Wow - BRUSHES DOWN!!!
We were given an hour to make our paintings ready for auction, which meant framing or, in my case, painting the gallery edge, cleaning up and transporting our works to a close-by restaurant for judging. I used an ink roller and payne's grey acrylic (I love the way it dries so fast!) to paint the edges of my clock tower and sent it with the easel, daughter and parents to the restaurant while I took all our gear to the car.
Devon's "Alternate Universe" drawing/painting on the floor in front of my mixed-media clock tower.
It had been so hot out in the park, I think I lost 5 pounds from sweating...so it felt heavenly to be indoors at the restaurant for dinner with my family. It was nerve wracking watching the judge walk back and forth in front of the paintings asking questions of the Broward Art Guild President. In the end, the bird poop magic worked; my painting won FIRST PLACE! What a great experience. My advice to you about competitions? ...Set aside your fears and boldly jump in, bring yourself to the competition, and enjoy the process!!!
FIRST Place Ribbon!
P.S. The 4 o'clock on the clock face is the time the contest ended. :)
Go forth boldly! Tristina
Thursday, August 9, 2012
Bitten by the Bug!
It doesn't happen to me very often...I've read the gambit of art how-to books. Interesting, fun, a few ah ha moments here and there... But, I've become obsessed with the projects in the new book I just got in Michael's last week called, "Flavor for Mixed Media" by Mary Beth Shaw.
Below are the 3 pieces I created from Mary's first project in the book, "Painting Without Paint" (all on 12x12 Clayboard done together in a left to right series):
Below are the 3 pieces I created from Mary's first project in the book, "Painting Without Paint" (all on 12x12 Clayboard done together in a left to right series):
There's something about drippy drips that totally turns me on!
This book is filled with so many new techniques I haven't thought of using before, although I have all the supplies in my studio already. Mary Beth has me digging up my dusty dry pastels, slopping on the gesso, re-pumping my DecoColor paint markers, and using my luscious acrylic/alcohol inks in whole new ways! Her illustrations of the steps involved with creating her ethereal abstract paintings are spot-on and really have stretched my creative muscle. I have been painting almost non-stop (except for the trip to Pearl Paint and Utrecht to buy more supplies) for the past 4 days. HEAVEN!!!
Even though I have heard taught to me before (as I'm sure you have, too) to lay FAT OVER LEAN when painting with multiple painting mediums, I never really got it until Mary Beth showed and explained it to me in her book. She gave me cause to break out my fancy silky Sennelier oil pastels and dry highly-pigmented Pan Pastels and smoodge them all over the top layer of my new (paint-less) paintings...Fascinating.
I will have more paintings to show you from later projects in Mary Beth Shaw's book when I put the finishing touches on them. Happy Painting! Tristina
Monday, May 30, 2011
Submitted to BAG Landscapes Show
On Friday I submitted 4 encaustic wax pieces to the Broward Art Guild's Landscapes show. This is a juried show, so I'm not sure how many will make it in!?!?
One of the pieces I created at the workshop while in NY at R&F Paints...it reminded me of tree bark, so I created 2 other tree bark paintings to go along with it for the show. The 4th is an underwater scene with 20 different layers of wax featuring jellyfish that I drew, colored and transfered onto the wax at different depths.
Below are some pictures of the process; I'll show you the finished piece(s) that get into the show after the opening reception June 4th being held at the new home of the Broward Art Guild at 3280 NE 32nd Street. Very Exciting!!!
One of the pieces I created at the workshop while in NY at R&F Paints...it reminded me of tree bark, so I created 2 other tree bark paintings to go along with it for the show. The 4th is an underwater scene with 20 different layers of wax featuring jellyfish that I drew, colored and transfered onto the wax at different depths.
Below are some pictures of the process; I'll show you the finished piece(s) that get into the show after the opening reception June 4th being held at the new home of the Broward Art Guild at 3280 NE 32nd Street. Very Exciting!!!
This is a detail of the wax painting I did at R&F Paints titled 'Chestnut'.
Detail of recent wax painting titled 'Birch'. Lots of surface texture here.
My photo and pictures from the internet of Jellyfish, my drawings colored with Pan Pastels and Colorsoft pencils, and a sample painting I did trying out different media to see what I wanted to put in my final painting.
The underwater painting titled 'Teeming' in process... There are already 5 jellyfish transferred into this picture on different layers of wax! Because the wax was warm when the picture was taken the surface is cloudy. After the painting cures (several days to weeks depending on how many layers of wax there are) the wax layers will become translucent and give the water depth illusion I'm going for.
Hope some of you can make it to the show opening next Saturday from 6-9pm. I will be going straight from the Artist as an Entreprenuer class at ArtServe being given by the Broward County Cultural Division . They will be teaching: Career Planning for Artists, Developing a Brand, Pricing, Understanding Customers, Building a Product Mix, Identifying Useful Resources, Writing a Business Plan, Working with Lenders, A session with Successful Artrepreneurs, etc. It"s not too late to sign up for this class if you are interested...simply register online at www.broward.org/arts and select workshops. The fee is a very reasonable $100 total for 4 Saturday classes (all in June).
I watched a new Encaustic Workshop video today and will give you a review of it tomorrow.
Tristina :)
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